Publisher HarperCollins has reportedly decided to cease publication and distribution of David Walliams’ extensive back catalogue of children’s books. This decision follows earlier reports that the company would not be releasing new titles by the popular author. The move by HarperCollins, a major publisher that has released all 23 of Walliams’ children’s books, signifies a significant shift after years of collaboration. These books have achieved global success, selling over 60 million copies worldwide and inspiring television adaptations of titles like ‘The Boy In The Dress,’ ‘Billionaire Boy,’ and ‘Gangsta Granny Strikes Again!’
Publisher’s Decision on Walliams’ Backlist
According to industry reports, HarperCollins intends to gradually phase out remaining stock of David Walliams’ books. This includes physical copies in bookstores, as well as digital formats such as e-books and audiobooks available online. The decision to drop the backlist comes after HarperCollins announced in late 2025 that it would not pursue any new projects with the author, citing “careful consideration.” The Bookseller first reported on the publisher’s decision regarding the backlist, which has now been confirmed.
Background of Allegations and Author’s Response
The situation unfolds against a backdrop of allegations concerning “inappropriate conduct.” While specific details of the claims have not been publicly disclosed by HarperCollins, the company stated in its earlier announcement that it has established “processes in place for reporting and investigating concerns” related to employee well-being. HarperCollins has maintained a policy of not commenting on internal matters to respect individual privacy.
David Walliams has not directly commented on the latest reports regarding his back catalogue. However, a representative for the writer issued a statement in December 2025 addressing previous allegations. In that statement, the representative asserted that Walliams “strongly denies that he has behaved inappropriately and is taking legal advice.” The statement further indicated that the author had “never been informed of any allegations raised against him by HarperCollins” and was “not party to any investigation or given any opportunity to answer questions.”
Impact on Public Appearances and Career
The reported decision by HarperCollins to drop Walliams’ backlist follows other professional repercussions. Shortly after the initial announcement about new titles, the Waterstones Children’s Book Festival removed Walliams from its scheduled lineup. This cancellation was reported by The Independent.
Walliams, 55, rose to prominence in the early 2000s as a co-creator and star of the popular BBC sketch comedy series ‘Little Britain,’ alongside Matt Lucas. He later became a well-known figure as a judge on the ITV talent show ‘Britain’s Got Talent.’ His tenure on ‘Britain’s Got Talent’ concluded in 2022. His departure from the show came after an apology for leaked audio recordings in which he made “disrespectful” remarks about contestants. Following the emergence of these remarks, Walliams initiated legal action against FremantleMedia, the production company behind ‘Britain’s Got Talent,’ concerning the leak of the private comments. This legal dispute was reportedly settled in late 2023.
David Walliams’ Literary Success
Despite these recent developments, David Walliams’ impact on children’s literature remains significant. His debut novel, ‘The Boy In The Dress,’ was published in 2008, marking his entry into the literary world. Subsequent successes include ‘Billionaire Boy’ (2010) and ‘Gangsta Granny Strikes Again!’ (2021), among many others. His books have consistently topped bestseller lists and have been lauded for their humor and engaging storytelling, resonating with young readers across the globe. The substantial sales figures and numerous television adaptations underscore his widespread appeal and influence in the children’s publishing market.
Conclusion
The decision by HarperCollins to phase out David Walliams’ back catalogue represents a significant turning point in his publishing career. While the author maintains his denial of any inappropriate conduct, the publisher’s actions reflect a response to reported allegations and a broader consideration of their relationship with the author. The full implications of these developments for Walliams’ future in publishing and public life are yet to be seen.
