A photograph of Juvenile and the Ghetto Twiinz sparks nostalgia, laughs, and backlash throughout Fb.

It began as a easy Fb publish. Musician and content material creator Mike Browardd shared a photograph of Juvenile posing with two girls in matching sequined outfits, including a caption that immediately caught fireplace:

“Former hit maker & ‘Again That Thang Up’ rapper, #Juvenile, posts up with two chicks who appear to be they died again within the 9-9 and the 2000 💀.”

Inside hours, the publish unfold by way of Fb teams, hip-hop meme pages, and nostalgia feeds. The mixture of humor, ageism, and a basic Juvenile reference turned it into on the spot meme gas.

The issue? These “two chicks” aren’t nameless partygoers. They’re the Ghetto Twiinz — Tonya and Tremethia Jupiter, New Orleans rap legends who helped construct the identical Southern hip-hop scene that Juvenile and Money Cash Data later dominated.

The Picture Itself: A Informal Reunion Turned Roast

The photograph, believed to have been taken at an informal gathering or native occasion, exhibits Juvenile—now 50—flanked by the Ghetto Twiinz. He’s rocking a grey camo hoodie, gold chain, and darkish shades, giving off his trademark cool demeanor. The twins, wearing silver sequined crop jackets and matching pants, pose confidently beside him.

Lighting suggests an indoor lounge or backstage setting. It’s not glamorized or filtered — only a uncooked second between three artists from the identical metropolis and period.

However on-line, the picture grew to become one thing else completely. Feedback poured in, joking that the ladies regarded “frozen in time because the ‘99 and the 2000,” referencing Juvenile’s iconic 1999 hit “Again That Azz Up.”

Whereas some laughed it off as playful nostalgia, others referred to as out the tone as disrespectful, arguing that mocking the Ghetto Twiinz’s look disrespected their contributions to New Orleans rap.

The Punchline That Turned the Drawback

In meme tradition, the phrase “again within the 9-9 and the 2000” has turn into shorthand for the early 2000s hip-hop glory days — a time of low-rise denims, Money Cash dominance, and Southern bounce taking on mainstream radio.

The caption’s humor relied on that nostalgia. However the punchline — “appear to be they died again within the 9-9 and the 2000” — crossed from intelligent into merciless. It mocked getting older girls in hip-hop whereas sparing Juvenile, exposing the double commonplace that also shapes reactions to female and male artists from that period.

Customers break up into camps: some insisting “it’s only a joke,” others defending the Ghetto Twiinz for surviving a long time in an unforgiving trade.

One commenter summed it up finest:

“Y’all clowning legends who helped make the 9-9 and 2000 imply one thing within the first place.”

Who the Ghetto Twiinz Actually Are — Legends, Not Punchlines

For youthful followers unfamiliar with their legacy, the Ghetto Twiinz aren’t random faces from an previous photograph. They’re pioneers of New Orleans rap, twin sisters Tonya and Tremethia Jupiter, who emerged within the early ‘90s with a uncooked streetwise sound that rivaled something coming from No Restrict or Money Cash.

Signed first to Massive Boy Data, they launched their debut album Surrounded By Criminals in 1996. By 1997, they’d joined Rap-A-Lot Data, dropping In That Water, No Ache No Acquire, and Bought It on My Thoughts — all of which charted on Billboard and earned important respect for his or her unfiltered storytelling.

Their music blended bounce, R&B harmonies, and gritty realism, addressing violence, love, and survival from a girl’s perspective. They had been a part of the identical motion that birthed Mia X, Mystikal, Soulja Slim, and sure, Juvenile himself.

To at the present time, their catalog stands as an archive of genuine Southern womanhood in hip-hop, one thing that’s usually overshadowed by the male-dominated narratives of that period.

From New Orleans Phases to Meme Pages: When Legacy Meets the Web

The viral backlash highlights a rising stress in hip-hop’s on-line areas — the place legends turn into memes quicker than they’re honored.

The Ghetto Twiinz, now of their early 50s, nonetheless carry out sometimes and stay energetic in New Orleans’ cultural scene. However seeing them mocked alongside Juvenile, a fellow icon, underscores how social media can flatten context.

As one Fb consumer put it:

“Again within the day, these girls had been the sound of the streets. Now of us laughing at them like they ain’t a part of the identical legacy.”

The talk across the meme isn’t nearly one photograph — it’s about how hip-hop treats its veterans, particularly girls, as they age.

Followers Clap Again: “Respect Your Elders — They Survived What You Glorify”

Defensive feedback started flooding in as followers and friends acknowledged the ladies within the image. Many reminded youthful customers that these weren’t washed-up groupies — they had been artists who helped outline New Orleans hip-hop earlier than Money Cash blew up nationally.

Screenshots from reposts present defenders writing:

“Put some respect on the Ghetto Twiinz identify.”
“They appear to be grown girls who been by way of actual life, not filters.”
“Y’all joke an excessive amount of — they the rationale half y’all metropolis obtained a sound.”

What began as a joke was an on-line debate about getting older, respect, and cultural reminiscence. In an area the place clout strikes quicker than details, the Ghetto Twiinz all of the sudden discovered their legacy trending — for all of the improper causes.

Juvenile’s Position: Chill As Ever Amid the Noise

For Juvenile, the web storm barely registers. The New Orleans legend, who not too long ago carried out “Again That Azz Up” with a reside orchestra for NPR’s Tiny Desk Live performance, has lengthy embraced his legacy with humor and self-awareness.

He hasn’t publicly commented on the viral photograph or the “Bruh” publish. However the shot captures him precisely as followers keep in mind — unbothered, dripped out, surrounded by the identical vitality that made his 1999 hit timeless.

And in a method, that could be the actual takeaway: whereas social media cycles by way of jokes, Juvenile and the Ghetto Twiinz stay fixtures of the identical period they helped outline.

Conclusion: The 9-9 and the 2000 By no means Actually Died

What started as a meme mocking appearances grew to become a dialog about how hip-hop treats its icons, particularly girls who age in public view.

The Ghetto Twiinz may need been the butt of a merciless joke this week, however the response proved their identify nonetheless means one thing. A long time after Again That Azz Up made historical past, the folks behind that period nonetheless command consideration — whether or not by way of nostalgia, laughter, or viral debate.

In the long run, the web can roast, remix, and recycle — however the 9-9 and the 2000 by no means actually died. They simply moved to Fb.