Set off Warnings: Abuse, Violence, Grief
How a lot management do we have now over who we’re and what we change into? Does the previous outline our future? Can we ever neglect who we as soon as had been, escape our previous errors and begin once more? Or are we doomed to be haunted, hounded and hunted eternally?
These are the questions requested at Monster, the award-winning profitable play at the moment being carried out at London’s Seven Dials Playhouse. The present revival comes after the unshrinking play obtained its world premiere at Park Theatre in 2022, and explores the devastating results of the cycle of abuse and poses the query of forgiveness when an unspeakable act of violence is dedicated.
Directed by Kevin Tomlinson, Monster tells the story of troubled teen Kayleigh Gray (performed impeccably by Abigail Hood, who additionally wrote the piece). The primary act is about in Glasgow in 2006, and follows Kayleigh’s intense relationship/friendship with finest buddy Zoe (Lauren Downie). Over the course of the act, we get a glimpse into Kayleigh’s darkish and abusive childhood, largely by the hands of her mum Hazel (Sarah Waddell).
We additionally uncover her fraught relationship with instructor Rebecca Hastie (Lisa Ellis), who, regardless of being informed to maintain away, is drawn into her chaotic world. A sequence of tragic occasions unfold, resulting in a really harrowing and life altering second for all concerned. The second act picks up over a decade later, as penalties are confronted. This culminates in a sequence of painful discussions about justice and forgiveness, and the long run influence of an unfathomable motion.
Monster is an intense and thought-provoking play which is extremely fascinating, and at instances, really stunning. While there are humorous scenes all through, particularly within the first act, these moments had been typically shattered right away by devastating revelations. Moments so distressing that it made the viewers, together with myself, audibly gasp. This isn’t a cushty play by any means, and it leaves you questioning how you’ll react in such a state of affairs and who the actual ‘monster’ is.
Abigail Hood is a imaginative and prescient as Kayleigh – she completely nails each emotion whether or not it’s worry, happiness, infatuation, or blind rage. As the author of the play, she brings the tough story to life sensitively and actually will get underneath the viewers’s pores and skin. Her chemistry with Lauren Downie, who performs Zoe, is good, and the pair are a power to be reckoned with throughout the first act. Lisa Ellis actually pulls at your heartstrings with a gut-wrenching flip as Rebecca Hastie, while Sarah Waddell makes you like to hate her as Kayleigh’s abused, but abusive, mum Hazel.
The play has a reasonably stripped again set, that includes partitions lined with newspaper articles which particulars tales about abuse. This units the tone from the off, however is accentuated by means of props all through. There may be additionally quick clips of music between scenes which may generally be distracting, nevertheless, the pre-show and interval playlist options some intriguing tune selections which seemingly tie in with the query of who the actual villain is inside the story.
Personally, it will have been fascinating to go to a few of Kayleigh’s rehabilitation slightly than quick ahead to the current day, nevertheless, the scenes between her and Mrs Hastie in a while are extremely highly effective. The ultimate scene additionally bookends the play properly however everybody will interpret it in a different way. It feels irritating at instances however you may as well see why Abigail selected to finish it this manner.
It’s doubtless that Monster will make you query your pre-conceived ideas and provides a compelling perception into all sides of the story, particularly ones you won’t contemplate. The six-strong forged every play an enormous half on this, together with Kevin Tomlinson as John Parker, who solely is aware of Kayleigh publish rehabilitation, and Steve Hay as Stevie Hastie, Rebecca’s husband who’s moved on along with his life.
Monster isn’t black and white – it impactfully highlights a gray space with regards to justice and forgiveness while shining a lightweight on some extremely distressing themes. It’s essential to go in there with an open thoughts and to arrange your self to be invested within the lives of those characters. It’s a play that can undoubtedly open up quite a lot of conversations and have you ever occupied with its content material for days after.
Monster is taking part in at Seven Dials Playhouse till October 18. Remaining tickets accessible right here.
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Disclaimer: Gifted tickets in trade for an trustworthy overview
Monster is supporting and supported by Advance, a charity that helps ladies and ladies affected by home abuse and sexual violence, together with these involved with the legal justice system. Advance supplies advocacy, sensible assist, and providers to assist ladies rebuild their lives. For extra data, or to make a donation, please go to www.advancecharity.org.uk
